I’ve been messing with this synthesiser for around a week now. I must admit it is a total many more to consume than i had anticipated. There is way too many features and ways to make use of this synth in retrospect to other people inside the same price range as well as techniques to link it to other gear you’ve got.

Fully supportive of eurorack, i’ve got a beatstep linked to this in addition to my Arturia Keylab49. I prefer the bigger tips of my arturia to be honest plus the undeniable fact that i can get a handle on my sessions that are ableton here as well. I do not have problem aided by the little secrets presented by Korg regarding the MS-20 mini but i like having more octaves for an instant switch up.

It comes with a booklet with numerous preset options to allow you to get on the way and producing your personal noises. it has some empty people therefore while jamming if you happened to cross a wonderful sound it is possible to complete the info and have now it for whenever you wana return to the sound.

3.5mm to 1’4" is a little weird you do require a mono cable though for me, however the production signal is very good. Additionally supports USB for midi communications which will be awesome if you don’t make use of much analog gear.

Pros:
– Great look and feel
– Price range is ideal for all it’s features
– Compatibility with setup is high

Cons:
– Plastic knobs
– tiny secrets

I would 100% recommend this synth to any professional, amateur and beginner musician. It’s just a lovely synth.

The greater amount of I make use of it, the more I love it! No doubt this will be one of the better synthesizers. (I never ever attempted the original one, but comparing videos with them without a doubt the mini is not that effective, still.. its amazing!)

Yes, its noisy and hissy but thats just how I like it. The filter may be the beast here… a totally boring electronic kinda synth will get you damp when you push the frequencies to your restrictions…

Its one of those few synths you will see in every major musician’s studio, and not only for collecting dust… I am sure they normally use it in most record and song they make.

It only accepts note data, so for instance, for automation of filters you have to do them by hand. Which will be big enjoyable to accomplish!

It always impress me personally and most likely the only minus is you cant save presets, you could just print the blank ones you have alongside the synth.

And if by any possibility you possess a space echo… man… the blend is out of this world… atart exercising . reverb to it too and you will even make ambient music…

With a little bit of knowledge and imagination there is nothing that this CHEAP piece of plastic cant make… yes, in my opinion its really cheap! Its the synth that is most beneficial you can get your money can buy and actually I have always been pretty sure you cant get something better for even twice of its cost!

that is a fast review regarding the replacement unit I got from Thomann, offered initial one had a tremendously bad Keyboard, faulty Mod Wheel, a nick using one of this part cheeks and some glue within the unit [plus sometimes the notes would not trigger]. Therefore, they will send a replacement back to you in the event that you occur to get a faulty product, just contact Thomann and.

All that aside, I nevertheless need certainly to coment on Behringer’s first outing on the Synth world. They did an excellent work with all the DeepMind [as a modern accept the classic Juno] by souping it up with an 8 slot Modulation Matrix [with a hell large amount of sources and destinations] and an entire plethora of TC Electronic and Klark Teknik’s FXs [4 slots for anyone you want] as well as wifi and a nifty [yet not crucial] App as you are able to occur anyway.

don’t allow the fact it "only" has 2 Oscilators [the first with an ON or Off Sawtooth and a PWM; while the second has PWM and a sub] fool you; because you can definetly sculpt plenty of sounds with those.

Add compared to that the two and 4 Pole minimal Pass Filter [and a High Pass with added Boost to your low end], the 3 Envelopes [1 of them being a Mod Envelope], 2 LFOs, Arpeggiator and Mod Sequence and you’re offered plenty of analog synth for a tremendously affordable price.

The Pros:

– All that was said above PLUS it being manufactured from steel.

The Cons:

– IMO the weakest link within the device may be the keybed. It is extremely light to touch [when compared to the Ultranova I additionally very own, as an example]; they did cut a corner here.
– Although the DM is based on the Juno, it would have been cool if Behringer included an additional Waveform on OSC 2 for some additional variety. You can get a Sawtooth that is second with fx trikery, but a Triangle and sometimes even an effective Saw could be cool.
– No audio In means no enjoyable getting an external device although the fx for the DeepMind.

All in all, Behringer knocked it out of the park and slapped numerous nay sayers with a glove.

The good:

The keybed is fantastic, exact same keybed since the OB-6. Good feel despite the fact that I prefer the stiffer yamaha keybeds. Aftertouch has an assortment that is controllable.

Voice calibration is dead simple. VCF tuning may need periodic calibration by using self-resonance for bell noises, but this will be a quick process.

there is hardly any menu diving. The most frequent controls are on the panel, and the most typical choices take the web page that is first of menu. Plenty of idea has gone into this additionally the outcome is not hard to utilize.

Modulation is not hard to create. Hit mod button, choose mod slot, hold down mod button, nudge the foundation, nudge the destionation, adjust depth and done.

Envelopes have actually retrig. No note sequencer, nevertheless the arpeggiator is flexible together with control sequencer pays to. Control sequences cannot be conserved and provided across spots AFAIK, but arpeggio patterns can.

Preset management via the application is fine. Maybe not the most effective, but more convenient than faffing about with sysex.

The bad:

the next oscillator doesn’t do a saw revolution. In practice you can handle this by making use of two sounds in unison. This means the DM12 is definitely the one getting on the DM6, so you can nevertheless have six sound polyphony.

the amount associated with the spots is a bit all over the place, and also you can not keep primary amount per spot, only VCA amount, which in turn changes the type of this sound. Amount can range 15dB or higher between patches. Luckily the leading panel volume knob is conveniently put on the left hand control part.

The noise:

The bass noises are not the beefiest, you need to find a sweet spot to obtain certainly nasty bass sounds. Nevertheless, pads, arps and plucks are really easy to make and appear great. Creating patches is a lot of fun and also the sounds are inspiring. A lot of the built-in spots are a little naff, but if you know anything about subtractive synthesis it is dead very easy to dive in and commence building yours library.

I waited a couple of months to create this review so it will likely to be severe. I’ve owned quite a few analog synths from Moog, Oberheim, Roland etc…
The Dominion 1 is both elegant and daring featuring its features, implementation, and sheer sound quality.

Let me break it down.

1. Build quality = it is a tank. Believe it or not.

2. Simplicity of use = Super easy. One knob per feature. It compensates for the badly written manual.

3. Features = there is certainly merely absolutely nothing out there that gives you so much with regards to sonic shaping only at that budget range and even twice as much. Just read teh specifications for complete information but there is however a great deal beneath the bonnet that it is fundamentally perfect!

4. Noise = very analog. Saturated in character. Very spectrum that is broad. It does not have to be aggressive. It can be quite smooth and buttery. There is just PLENTY sweet spot and therefore it’s capable of an array of noises that cover every part of monophonic playing.

Paraphonic mode is inspiring as it enables unique interactions between your Oscillators. I want there were a few more tweakable options for Paraphonic mode to make it a bit more constant whenever playing chords/Pads but I could not actually require more.

the nice – this paraphonic monosynth sounds amazing, and it has a lot of options for modulation. A sounding that is great multi-mode filter (HP, LP, BP, Notch) and capable arpeggiator and sequencer. Solidly built. Solid keybed and ruggedly built.

The bad – the paperwork, at the least the English variation, is incomplete. The interface is a obtuse that is little perplexing, but persistence is rewarded. I never actually utilize the area bay, but more info regarding the voltages is actually required. I tried shortly to have it to trace via CV and gate from a Cirklon, but simply returned to MIDI, which can be fine for my purposes. More MIDI CC control could be great – perhaps they might backport a few of the features on the Dominion that is brand new Club. Tuning security is an presssing issue, it is become expected with VCOs. English paperwork in the tuning process is AWFUL, but there is community help that helps – look on Facebook.

Still a synth that is great and I do not be sorry for purchasing it. Even with the bad, I still give it 4 out of 5 movie stars, as it sounds frickin’ amazing and you will find many choices to modify your sound.

this might be among the best synth I’ve ever endured!
It would make no feeling to point out all the features it has, but they’re all high-quality in my experience: lfos, oscillators, filters, effects, every thing!
Easy to program, way more than I expected considering all of the feasible routings, appears amazing and it is reliable!
It delivers the best analog sound in my humble opinion, superior to any similar one.
I have not discovered just one flaw so far, it seems to really be my holy grail fo synths!
I do not feel to much the need of the additional 8 voices (macking it a rev2-16), but certain it may result in the huge difference if you’d like 8 notes polyphony for stacked sounds.
Sure it sounds currently extremely powerfull with solitary layered noises!
I’m nevertheless considering the 8 sound extra module, simply because I love the noises I can build with this particular device, but it’s aready the very best synth for me, certain you’ll find nothing I love a great deal in this cost range!

So the REV2 came out and had been lusting it a lot. Anyway i was an owner of a pro8 plus the revision 2 because of the better seq, pw in most waves and ofcourse the fx that is very good just made me offer the old one and buy this new in an instant. The container arrived in typical thomann quality packaging and everything was nice, out and tested the synths’ build quality to start with which unfortunately didnt follow the price until i took it. A lot of the encoders feel wobbly, it doesnt impact the synth functionality but when compared with my dominion 1 knobs which they feel me belong to comparing them like they’re forged on the chassis somehow made. I mailed immediately DSI fearing that my tool may be defective along with a video showing the wobble together with framework bend in the centre and so they responded that all REVS2 are that way and i should not worry and also fun along with it. Im deffo gonna spend playtime with it rather than thinking to resell it (at least now), but the construction is a little bit of a let down even in comparison to its predecessor.

At half the expense of a Sub37 the Sub Phatty provides much of similar noise and features. I’ve had the SP for a few months now so I’m on the ‘honeymoon duration’ but, in reality, it is a happy marriage & I are finding love that is correct.

I did think about a modular but had been obsessed about the worthiness the SP offered whenever thought to be an accumulation of modular units…plus genuine Moog noise and filter.

Pros:
+ this has the ‘Moog sound’
+ well built…robust, solid
+ great design, interface & ergonomics
+ very tweakable, mini-modular (without cables)
+ good, stable pc software integration…VST editor for DAW’s or standalone
+ support & ongoing development from Moog: warranty/software updates
+ priced well; the best value

Downers:
– approx. 1/3 of performance functions are accessed via a ‘shift’ switch which alternates the panel that is front to brand new functions. Not really much of a problem with all the software editor (which shows all of the controls/functions) but it will most likely simply take me personally per year to learn all the hidden functions…so no issue into the long-lasting.
– when a fresh preset is selected there isn’t any indicator of this status (brand new place) of the panel settings; these can only be decided by sweeping the control and paying attention for modifications. In use it’s not as big a problem because it sounds & the program editor displays the concealed functions.

In conclusion, there are no genuine negatives that cannot be overcome over time & practice and/or the program editor. I’ve continue reading the Moog forum that there might be a software arpeggiator, a rise in presets & other useful functions in future updates…that would cover all of the desires I could reasonably expect.

I still lust after the Sub37: duophonic; full front panel controls; bell & whistles; bigger better keyboard; etc. – but I’m pleased with the sound and the best value of this SP. It’s got the Moog sound & it vibes : -)

The Sub Phatty is made like a tank and has now an extremely classic analogue sound.

Some individuals have said that the keyboard is to small at 2 octaves, however in
use I had no difficulty playing bass lines and solos.

As long as you know what octave you are going to need and set it before
you begin only the most outlandish jazzy trippy solamente will catch you out.

I make use of it and want it more than my voyager.

The sound is more versatile and seems good playing
anything from jazz, funk, pop music and stone.
Not only restricted to techno or spacy ambient Vangelis kind music.

It has a snappy amp and filter with a funky 70’s 80’s vibe.

You don’t have quick access for some associated with the more descriptive editing unless you utilize
the computer software editor.

The Sub Phatty dosage NOT come because of the editor pc software on disk, you must register
it on Moog webpage before you decide to can install it.

I had no dilemmas utilising the software in standalone windows 7 and as a vst
in 16 bit Cubase, but had fall outs in the 64 bit vst variation.
I since read that moog are aware and already working on a solution.

I think the Sub Phatty is Moog musical’s best sounding synth for the brand new generation of
moog synths.

Great sounding synth. Phat analogue Moog sound. Ideal for bass and lead sounds but it can also get versatile and incredibly deep with all possibilities which can be mod.

This is my first Moog and I must say not only it looks good, the construction is top while the knobs feel great. But the majority notably it sounds amazing. Nice and thick frequencies that are low but there’s significantly more than that. Capabilities are endless. And of course no introduction is needed by the moog filter. Simply perfect, 4-steps while the overdrive. Duophonic mode is a huge plus additionally.

Preset buttons are particularly helpful, it is possible to access any conserved preset very quickly. In sequencer mode they become sequencer actions, with artistic edit and representation capabilities. The workflow that is overall quite nice. One-knob per function makes everything easier.

the editor/librarian that is clear of Moog works great with DAW and additionally a standalone version which works exactly the same. Because of the librarian, you can of course conserve and modify the presets in the equipment memory, you could also save your self presets on your computer, which can come dead handy. In fact there have been even more presets added to the installation, which I didn’t learn about.

Unfortunately you are able to only run one VST editor in each project, so to get more noises inevitably you’ll want to jump (and arrange by saving midi & preset if you wish to sometime return). Other than that, I cannot find cons which are numerous this synth. Okay perhaps the display is somewhat little but you get accustomed to it.

Great sounding synth of a beast

Primary I purchased this synth as my very first Analog hardware tool so that you can explore likelihood of real synthesis in imaginative process.

I must acknowledge synth offers a lot of choices making a fair entry in realm of additive/analog synthesis, also a genuine instrument in opposition to large amount of AU/VST units I have used in past.
Most surprisingly it includes a VST/AU integration and it has nice resource as MIDI controller, too.

Generally it really is as good entry synth into a MOOG "sound world", worth good enough for decent bass lines, arpeggios and sequences. It gives distinctive yet simple and sound that is hot with classical touch which just few devices embody.

The equipment is durable, sturdy and it surely will endure for years, oscillators are stable, nevertheless they need tunning every whilst.

I desired a stand-alone keyboard / workstation that will also integrate well into a DAW setup. I have experienced this keyboard a few years now, and have been happy along with it forming the core of my home that is modest studio.

This ended up being my first workstation keyboard, plus it did take me personally a little while to understand how exactly to put it to use. There is certainly an amount that is incredible can perform, as well as first the menu system wasn’t always intuitive while there is plenty the keyboard may do. Having said that, the manuals are helpful, and there’s excellent support on >
the choice of sounds is fantastic – I can almost always find a sound that will do exactly what I want, and its not difficult to fine tune the sound. The noises are top quality and lots of of the noises which are acoustic very realistic and well programmed. The effects section can be simple to use and effective.

The function group of the MOXF is huge, so are there many things that I haven’t needed to use. I used the program that is sound it really works well, though with a lesser sensitiveness dynamic mic (like an SM57) you usually require the majority of the gain. The “DAW remote” setting functions well with Cubase and I make use of the sequencer transport and EQ controls on the keyboard plenty. Once again, I found the support that is online helpful to learn how to set everything up with Cubase. I additionally make use of the sequencer that is on-board. It’s a experience that differs utilizing a DAW, nonetheless it works well. The equipment buttons on the right side regarding the keyboard ensure it is very easy to select songs.

For the price it’s well made and nice to check at and use. It’s synthetic, nevertheless the fit and finish is quality that is consistently high. I discovered the secrets feel a lot better than some other likewise priced keyboards I tried.

Taking its price and intended use into account, I’m extremely pleased with the MOXF. I provided it four movie stars for handling just because these days, maybe newer keyboards might have bigger displays or touch displays (at a high price that is comparable that make them better to use and arranged. However, if you are searching for a workstation keyboard the MOXF is still a solid option and exemplary affordability.

I purchased this keyboard a couple of thirty days straight back, and desired to wait to observe how it performed before writing a review

Handling: WOW this will be light! I gig/practice bi weekly. The MOXF6 alongside the Thomann Gig case means lugging up and down stairs is no presssing issue, unlike my older Keys. It can feel only a little plasticy as first (thats why its so light) however you get used to it!

Features: its got every thing! a lot of great noises, great drums, several thousand arpeggios as well as its user friendly. A little while is taken by the display getting accustomed, as its a little small! Another feature that is very good its a great DAW. I utilize it with Cubase 7, its easy to integrate, and seems only restricted within my absence to its usage of knowledge of Cubase. I have also used it with ableton- once more easy to connect and use. another great function is I no further have to carry my USB field ( bonus) it can be utilized as an external noise card from my Computer- meaning. Another unexpected Plus its audio in socket. What this means is I can connect in a guitar or a microphone and make use of the onboard results,! you can also expand the onboard sounds by expanding the onboard Flash ( I suggest the boards that are mutec they truly are cheaper). making use of this you need to use the MOXF as a sampler!

Sound: Wow here is the most readily useful bit. It offers everything and much more that I have actually could ever use: Pianos: over 30 sounds including a fantastic expressive Yamaha Grand Piano, honky tonk pub , amazing rhodes, whirli, and other elec piano sounds.
Organs: sets from Great Hammond B3s, to thin 60s bontempi, and with the power to add impacts which are great as Leslie and distortion means you’re covered for most purposes. Other people: it covers both realistic orchestral that is rich, to synthesized DX strings. there’s also a huge number of good phat synth seems you can use for everything dance!

Quality: It can feel a plasticy that is small however you soon get accustomed to it! but I am happy to trade this for the lightness!

Overall This kit is liked by me!

I mean even when I ended up being just to emphasize one touch of this amazing piece of equipment….the sequencer. It is just amazing and so responsive. What else is good? Pretty much everything…..the plug outs are all just right and really feel it generates a very great vocoder too as you have actually a Jupiter 8 or Juno….The entire thing is built really well and. Just go purchase one. Most readily useful mortgage I ever took out…I do not mind paying this infant right back for a couple of years….100% worth every penny. I am in synth heaven. Thanks Thomann…. I shall be back for lots more.

Firstly, I will prefix this review by stating that I don’t purchase this synth in order to get the Jupiter-8 and Juno-106 plugouts while they’re not really my cup tea, but, these are typically very well implemented in the System-8 and sound great.

I just make use of the System-8’s native motor as I believe it appears really lovely. It is very versatile sonically and producing noises with a knob-per-function screen is a joy that is true. There are lots of filter kinds (18 at time of writing) and lots of oscillator forms – including one called "FM" which can be really handy.

Many people complain so it just has one LFO but this is not a limitation at all because such as the Korg Minilogue, it’s a 4-lane movement sequencer – except regarding the System-8 it offers 64 actions which means you can "record" all types of motions into your noises and play right back those movements for every single key stroke. This allows one to totally shape a sound to your liking in an intuitive means by "playing" the controls while you record them in the place of having to "program" those modifications with a complex modulation matrix etc.

The other benefit is the fact that it can output audio via USB at 96kHz along with the MIDI to ensure that saves a channel of your audio interface too!

All in every, it is an incredible synth. The actual only real downside to some is there is absolutely no aftertouch in the keyboard, but that does not myself bother me.

I would definitely buy this synth once more if such a thing happened to mine. Strongly suggested.

I’ve been applying this device for a couple months now and it is intricacies never ever cease to amaze me.
I’ve been utilizing Korg grooveboxes from the electribe show for a long time and also this does everything those machines did, better and in a way that’s significantly more user friendly. I can not possibly sing the praises of the synth in the expressed word restriction with this review but I’ll decide to try.

1. It is tiny and that is not a problem. It’s easy to play as soon as you get used to it if you’re a commuter this is certainly hands down among the best techniques to pass time on a train.
2. The internal patches are beautiful and even them, they are highly editable if you do not like. And loading new samples from the ‘op.fun’ site is easy once you understand just how.
3. Great as a drum that is makeshift for real time jamming. The real time impacts lead to powerful drum that is sounding. Likewise, setting the synth to random can make actually interesting loops.
4. The look is minimal and sleek and I like it. It is rather impressive if you ask me the way they do a great deal with therefore buttons being few knobs. I thought working without a screen could be more difficult but It’s quite simple to navigate parameters once you learn exactly what color means exactly what.

to conclude,
there’s so much you can say relating to this synth but most notably, if you believe it’s the type of thing you’d like and you’ve got the cash to spare, do it. Maybe view some Cuckoo videos.

Some cons ;
Limited midi capability without expansions.
Internal presenter is pretty bad but I utilize headphones or plug it into other synths mostly anyway.
No instructions (would be a con for a few people but I adored that to be honest)

awesome little unit, extremely inspiring and addicting.

The factory appears in the drums tracks are well designed, the synths are nice. These are typically many functions that allow to experiment making habits unpredictable (if you want to).
On top of this you’ve got two songs to control lights and artistic! (and that is an initial).
And finally awesome sequencer!

Pros:
-Super little and battery power, in order to bring it anywhere
-Inspiring
-Make music and control visual and lights with one device
-It noises extremely good: synths/effects/drums
-The machine feels good whenever pressing it

Cons:
-Only two parameters can be tweaked on the synths track (to be able to design the sound)
-Only 6 notes polyphony to series midi (on module track without module)
-Only 4 records polyphony on chord track
-You cannot apply step components regarding the module track (without the module)
-Actual firmware has bugs: machine turns off, latency when switching tasks (perhaps not great for real time situation)
-Quality build: some parts just like the rotaries or your toes seem really delicate. (plastic getting damaged or rotaries escaping .)

Overall it’s a great mobile device while the firmware remains young so hopefully all pests will be fixed.

the fact there’s absolutely no display isn’t an issue. I got accustomed it within a and it really boosted my workflow and inspiration day.

If you would like a portable unit two test with and record you a few ideas fast and also get a handle on artistic and lights purchase it!

I ended up being taking a look at either this or the Sub 37 (I actually ended up with both, but that’s another tale)

I adored the idea of accessing the old modular circuits because let’s face it a large Moog modular will simply be a fantasy for most of us.

the single thing that hit me personally about the grandmother could be the immediacy and playability for the synth. Every thing feels as though it is where it should be while the keybed can be so very nice to try out. Dare I say one of my favourites. The quality is notch that is top comparing it to my old Moog Rogue in an identical type factor it’s like night and day. The Rogue is cheap and synthetic whereas the Grandmother is heavy, solid and is like no expense has been spared. Two criticisms regarding the create, I might have want to see bigger switches which are toggle. No problem that is big. I could have additionally liked an power that is IEC instead of an electric stone with IEC connection. Perhaps not a large issue but I’d prefer a universal option which are very easy to come across.

In terms of sound this thing appears HUGE!!! It’s that classic Moog sound in the lows and certainly will soar whenever it desires too all passed through a butter filter. I’m mainly deploying it for basses so I’m getting plenty of dirty sequences and arpeggios as a result. The mixer past 12 is gritty deliciousness.

In terms of features it offers all of the components a mono synth needs to have and so they’ve even thrown in a spring reverb. I’m not just one for psychological modulation therefore pleased sufficient utilizing the LFO. Sequencer is excellent, easy to plan and 256 notes!

I purchased this and a Prophet Rev 2 at precisely the same time and also have scarcely touched the prophet. I can just get where I desire to be therefore quickly utilizing the grandmother but I additionally feel it has depths that are up to now unexplored.

For me it is simply breathtaking. My favourite Moog I’ve owned to date.

I cannot being to spell it out just what I felt the first time I plugged it in and started messing around with it. Couple of hours have actually passed away by and I discovered myself mesmerized by the warm and sounds which can be fat the instrument can so easily produce.
Every module has character and seems amazing. I produce a whole lot of music within my home studio and this goes on everything from now on. The bass sounds you’ll synthesize with Grandmother are definitely the best sounds I heard. It most likely needs to take action with the oscillators. You are able to immediately have the analog quality and tone that is true of instrument. I strongly believe that it is so pleasing for us we humans respond more straightforward to this sort of noise and that’s why. It is just…natural!
I totally suggest this gorgeous tool to anyone who wants some fat bass noises and some pristine lead tones.

I first heard a demo with this on Sonic State and, soon after, just had to get one. This really is probably the"random&quot that is biggest; buy in quite some time and, after receiving it, I have zero regrets as it is among the most readily useful & most versatile sounding synths I’ve ever owned and / or played with. Great cost from Thomann too.

I love this synth, it’s a modern classic, plenty of info online. It is not as immediate as other synths (a little bit of menu diving), so not as inspiring to those who want instant satisfaction, but if you are ready to spend time it is possible to actually get some good amazing noises with it. Like most synth this has it’s limitations, however the quantity of features with this for the price is fantastic. Additionally seems great to touch and it is well built, nonetheless, these synths are known to be a bit that is little often times. With that said, nothing that can’t be worked around as well as the DSI support is fantastic. In general a tool that is excellent have!

in general among the best contemporary poly synths on the market. Great heritage and a staggering quality that is noise.

The only thing actually lacking is the inclusion of a tiny display screen that could save your self preset names rather than just figures.

If you would like a poly with some real analog punch then I would suggest a porphet 6 anyday. Well worth the profit my opinion.

I have been trying to find ages for a significant polysynth.
I narrowed it down to the Dave Smith OB6 or Prophet 6. Difficult choice..similar in lots of ways but tonally different to one another. After much debate, I went for the smooth, creamy darker noise associated with the Prophet. Like it!!!
develop quality is fantastic, sound quality is really magical.
It really has something unique in its DNA.Well done Dave.
Now to start saving for a OB6…
As always, Thomann have actually provided a fantastic service and quick delivery.

for such a long time i desired a backup keyboard and it ended up being hard for me to get being a number of years yamaha user i didnt know much about korg other products apart from kronos which will be an amazing instrument so i tried roland which sounds most electronic than the yamaha then oneday browsed for the right workstations and i discovered korg kross2 leading the list so i thought which keyboard is this, very cheap and has good reviews, so i went and did more research about the keyboard then i fell in love with this phenomenal beauty
i wanted to utilize this as a back-up for my yamaha plus it produces an incredible combination espically in radio stations and concerts

Cons-its acoustic sounds aren’t upto degree with the exact same level keybords like mx61&juno ds61
Pros-Light weight and good for quick gigs
my estimation is this keyboard is amazing because of its price great durability as well as its edm sounds are next level as it appears like sounds taken from FL studio and can be amazing controller
i have always been actually happy and pleased with KORG

an extremely compact keyboard full of lots of good things. I utilize is for real time music on stage along side a Yamaha MM6 or MX61. Is has sounds which can be great board and plenty of designs can be done perhaps the display is small and also have to navigate with all the buttons. I primarily use it for Brass, E.Piano ans Synth Lead appears in individual combination mode where I can miss out the utilization of the ‘Favorites’, which doesn’t fit my requirements actually.
Pros:
1. Keybed feel is preferable to the Kross 1.
2. Extremely lightweight
3. Test pads are helpful for live to trigger examples.
4. Realtime controls very handy.
5. It is possible to load your very own examples.
Cons:
1. It is not handy to carry since you can find negative control points like the Kross 1.
2. Acoustic Piano noises are not that great.

I fully recommend this keyboard to anyone with limited budget wanting KORG noises and a compact lightweight keyboard with packed with features just like a complete fledge workstation such as the Kronos. KORG in addition has released brand new expansion libraries for the Kross 2 rendering it “future proof” with regards to noises.

I bought a Juno DS recently and I have to say it’s a whole lot for the money.
As well to be lightweight ( 5.5 Kg ) it packs plenty of punch!
16 part, multitimbral synth with a pleasant key bed.
Based on the FA, it has really deep editing. 4 tones/stereo waveforms per spot that can be separately routed through the effects ( up to three insert MFX and two effects being send simultaneously ).
Over 70 different FX kinds, including vocoda. Committed split vocal pitch correction & reverb/delay for mic input.
The insert effects can be connected in either series, parallel or a mixture of both ( The FA allows only one insert per spot! ).
User test playback center lets you keep up to 32 Mb of data and playback through the filters, envelopes and effects. ( The FA is not this versatile ).
It sounds warm & fat and you will download 1 expansion pack clear of Roland AXIAL.
( they’ve been good! )
It would’ve been nice to see some page/parameter copy functions.
Unfortunately, the NUMERIC key just acts to choose patches/performances and can not work in patch/perform edit!

Overall, unbeatable at this price!

I ended up being fascinated with the sound, the amount noise, many new noises. Breathtaking, top-notch, stunning.
The monitor utilized R?f 715 A. I suggest.

Just know what you’re getting yourself into first: an excellent small synth, well, synths, with secrets, usable solo or with others, a four track recorder, a fantastic sampling drum device and f.x. All of this in a box the dimensions of a little, portable, pc keyboard, housing a great display, a speaker and keyboard. Oh, if you want one thing with the built in China feel ,forget this, it is solid and is like a bit of military technology, in a position to go fully into the field. Really, it is like its from another international globe, or at the least the long run! I simply want I hadn’t waited..also, outstanding controller for some type of computer DAW and a great community of users on the market too.

This small Synth/sampler is very costly so is not an impulse buy.
but I believe it is well worth the cash since it does so much and is unlike virtually any sampler available on the market. There is level that is genuine the functions also it seems great..although the onboard presenter might be a bit better as it distorts somewhat at highish volumes. There’s absolutely no distortion in the headphone/line out so it is not a problem that is big. I have used this little beauty lot but still think it is inspiring.

I have had many mono synths, and I had about 6 of those currently whenever I got the bass station 2, but that one still blew me away beyond expectations.

The noise regarding the BS2 is great, and features like drive and distortion enable those dirty gnarly bass roars, whilst the clean sound can provide you very lush, milky bass.

The set up of the synths isn’t groundbreaking with its 2 oscillators, Filter and ADSR, nonetheless it utilizes its tool very well.

The synht is made away from solid plastic, but this doesn’t feel poor or fragile build. The knobs feel well, while the larger cut off is a really touch that is good permitting better and finer manipulation during real time play.

The keyboard is actually good, and permit for velocity play. I also start using it to regulate other synths via my DAW.

The additional features of afx mode and an array of beneath the bonnet possilibites makes this a really effective instrument, plus in my opinion the very best for the value now available.

My use:
For house recording, also provide Korg Electribe Sampler and Volca Sample, Volca Keys, Mixing board.

Overview:
Very good analogue synth. Great sounds, tweaking choices and patches. Great synth for researching just how synths which are analogue and sound patch creation. Arpeggiator is enjoyable. Latch is advantageous for sound creation (latch merely makes the key continue steadily to play even if you eliminate your finger from the key). Midi is effective, but I must point out better as a slave device than as a master. It is out of sync if I set it as master with Volca devices (which just can become a slave device if not Korg branding), but is perfect as slave for any other midi out unit.

Hardware:
Knobs and keys are all of good and become familiar like "old friends" over time of use. This, to me, symbolizes an excellent tool designed for peoples interaction and experimentation.

Synth may be only a little intimidating in the beginning when you yourself have never really had an analogue synth, but you will learn analogue from using it and grow to love it. Price is great for what you get!

Recommendation:
Send audio thru sound files like spaces or halls to actually make it fun to tweak and come to life. You should use the provided effects in Ableton Live Lite or a mixing desk with built in effects.

this might be a good small synth for the money.

I purchased this synth to use in my home studio and i wasn’t disappointed. the noise using this unit is anything but tiny. Even with one oscillator there is a variety of tones you are able to produce using this synth. The synth is mono meaning you can’t play chords but it is ideal for lead and bass tones.

There is a selection of waves you’ll create and mix through the interesting panel as well as the filter in the product is excellent. you may want to run other instruments through the filter.

The quality associated with product is quite solid which is made from synthetic and steel. The knobs have actually good resistance when they are turned by you and overall the build quality associated with the product is rock solid.

The spot area is fun and when you are taking enough time to understand it could yield some really interesting outcomes. Addititionally there is a sequencer area which will be well worth making the effort to learn how exactly to make use of.

The synth takes a few momemts to heat up and tune itself, as once you initially power it about it takes a few momemts for the pitch to be in. The synth does not operate on batteries as per arturia because of the quantity of voltage requires to run it. when you hear this synth you are going to hear why…

overall outstanding unit and i would suggest this to anyone who is looking to learn about synthesis. the fact you need to build each noise without presets means you will learn a whole lot applying this synth.

I bought this synth after I noticed it absolutely was on discount and had not been disappointed. The Microbrute is a good starting point as a newcomer in the wonderful world of equipment synths. One quickly learns the basics of actually creating an audio as opposed to those presets many of us accustomed to software synths have applied. There was just this excellent feeling of twisting actual knobs compared to computer that is shifting test synth screen, that is for sure. The keyboard is mini-sized but ok to make use of, of course you have got a MIDI keyboard, simply make use of standard MIDI cable to connect it with Microbrute and you can play the brute noises with it.

The pitch wheel in my device is leaning a little to the left, but there are no performance issues, the thing works because it should. Also, if you upgrade the synth firmware via USB, the step sequencer might get quiet. This does not always mean that the synth is broken, the Microbrute Connection has simply made one change that is extra settings it probably shouldn’t have. If this happens for you, check the Connection software manual, it should be contained in the computer software installation.

Lastly – this really is for ab muscles starters – Microbrute does transmit USB data but requires separate audio input to obtain audio signal into DAW. So ensure you have an interface that is sound can do the task. In DAW Microbrute syncs using the DAW tempo clock just fine if it’s linked via USB therefore the DAW settings are in order.

Then again, I might just put Microbrute on my lap, connect the headphones and try to develop various noises. Playing with Microbrute is fun that is pure that is generally maybe not the situation with soft synths and their seemingly endless menus. If you’d like to get onboard within the equipment synth world, I cannot think better value for your money than Microbrute.

this will be great fun to fool around with either on its own or with a synth.

Only issues are:
It has a plastic feel to it but nonetheless seems reasonably sturdy. This is certainly to be expected though, given the price tag.
It can also seem just a little white noisey at times according to what you are actually likely to do with it. It will be great it may be somewhat eq’d out if necessary if it did not this issue but I’m sure. This could easily additionally be something which is great if you’re after something more lofi.

On the plus side I would need to say it are great fun and extremely simple to use. As a newcomer that is relative the world of synths and delay / modulation effects, I was able to quickly obtain it to sound great and produce some incredibly spacey sound files. Just messing around with some of the knobs while a simple synth cycle plays through it can instantly make it seem so much more interesting and professional (although possibly more in the lofi aspect provided the small static / white noise areas of it)

Overall though, given the price, I would state that it is outstanding purchase and contains a great deal of opportunities!

This little portable product is a lot of enjoyable. I use it as a synth that is simple sound effects, and also as an easy wait impact with my mike. For the price, it is quite useful. Additionally suitable as a toy.

Downsides:
– battery power just
– limited functionality (duh)
– noisy
– connection to DAW/mixer requires Y-cable
– could get you addicted to full-price synths and effects

Took me personally a long time to pick the Microkorg but eventually decided to get one. I enjoyed the retro design of this synth compared to the xl that is micro seemed a bit bland.

but a synth is about more than simply apperance. Sound wise it did not disappoint, it’s filled up with blistering leads, atmospheric pads and basses that are cutting. These can all be adjusted in real-time utilising the mod and pitchbend tires combined with the knobs positioned towards the top of the keyboard.

It’s a great machine, the casing is apparently a difficult plastic, the knobs have actually a retro styling as well as the keyboard although mini keys feels a bit spongy but solid to play. Some perhaps put down by the 4 note polyphony compared to the XL 8 note, though the quality of sound and appear of the machine is addictive and inspiring.

I’m looking forward to playing this synth a great deal over the coming months. A genuine contemporary classic that will not disappoint.

I spend my first 4 hrs with all the micro attached to a volca beats, Arp Odyessy and an MS – 20 mini plus it ended up being heaven.

Pros, great pair of noises and impacts, very easy to navigate and play plus it looks great in the flesh.

Cons, Mini tips for a few, no USB

I bought a Microkorg while my mininova had been repaired. It is a synthesizer that is decent you will find lots of options for making your personal noises; pretty much every parameter you could require can be obtained for you.

There are more or less 64 pre-loaded patches as well as the sounds are awesome. The energy that is true of Microkorg is in building your own noises. There was surely a learning curve right here and you’ll need certainly to read the manual / search on the internet.

It’s primary competitor could be the Novation Mininova, that will be more user-friendly but has less customisation options.

If you’re new to synths, the Mininova are a much better choice. If you are trying to grow your very own patches, the Microkorg may be the right synth for you personally.

I added Volca FM to my mostly analog setup as it really was cheap also it really sounded very good an all the videos I watched prior to acquire.
Month after really deploying it my emotions are mixed.

cons:
I really find it difficult mixing Volca FM’s sound with analog (subtractive) gear.
Unit does not come with power supply unit. It comes down with batteries that are, I must state, really durable (after thirty days of use Volca’s battery indicator shows 80%)
Ignores velocity over midi.
HISS. There is certainly constant (-140dB to -110dB) sound across the frequency spectrum that is whole. It not reliant of production volume or every other controls whatsoever. It’s just always here.

pros:
PRICE. Absolutely nothing to include, this really is cheap.
Simple, portable, intuitive and enjoyable to relax and play with, but it addittionally has its depth in the event that you wanna plunge into FM synthesis.
Interesting sequencer and really fun arpeggiator.
Although plastic, quality is preferable to I expected
Algorithms, LFO

Bottom line, if you do not have issue with few little annoyances I pointed out, its super cheap, good sounding, really fun small field.

Why would you not fully grasp this?? It’s any such thing a synth enthusiast could ask for ever. Polyphony, lovely FM sounds, a sequencer that is great and an arp. It is a shame the pads are not velocity(velocity that is painful and sensitive a slider), but for 130 dollars so what can you expect. The editor is very confusing at first, however the included cheat sheet gets you accustomed it quite quickly, then it becomes a synth that is truly effective. The pads can be little, and I find myself striking multiple pads at that time that is same. There is certainly a MIDI in jack, though, which can be used to move presets for the FM and also the original DX7, which will be nice. It really is quite small, plus it runs on six AA batteries, or a power that is 9v if you should be perhaps not going anywhere. I utilize it all the right time for several forms of synth noises. It’s best for such a thing, really.

+ Great noise, filter.
+ Well made out of quality. A exceptions being few this though.
+ really customisable noise and settings.
+ Well incorporated with updates and computer software.

– may be too digitalized for some users.
– Odd build quality in the pitch wheel.
– Steep learning curve. Very hard to have a grasp all of the features.

First off, this synth is actually beautifully contructed. The quality is truly great through and through except in one place. The pitch wheel. Going it upwards lets you hear the springtime moving with it along with a feel that is slight of that. I do worry a bit in regards to the quality for the information knob because of the fact that it’s the tool you will be utilizing to navigate all of the menus, and additionally find the various patches.

Soundwise the synth does very well both with varied presets and options to create your own personal sounds. There is a emphasis that is obvious digital here. Most presets works best for electronic music, causeing the stellar if you’d like a more analog feel to your productions. The combination of great general sound and a stellar filter is a plus that is big. The microphone appears to do it is job really well. I haven’t had the opportunity to properly test it out however.

The focus on electronic continues as you are able to change all of the settings and factors through the screen that is little the usage of the data-knob. You can even bind effects which can be different values to the four knobs on the right for the synth. There clearly was a total of two rows that can be assigned to yours style. The amazing filter really assists causeing the synth stand out, and so they understand it, including a large knob solely for the usage of it.

There are also a row of eight pads you can use to either change the arpeggio or "animate". The "animate" establishing enables fast transformations for the sound. For instance a simple saw lead could be transformed to relax and play 5ths using the press of a button. It may become distorted, modulated, flanged. Pretty something that is a lot possible, and it would clearly be a fantastic device for a stage performance. By navigating the display screen you can also make your own animations and personalize the noise for your own requirements.

The Mininova can be plugged directly into your PC and via software it is possible to for example import patches which are brand new. You may want to export the spots causing you to able to import your saved information to a Mininova that is different if so wish. Novation often gives out free packages of preset patches from their other analog synths like the Supernova or Bass Station frequently filling up the onboard room. You’ll likely need certainly to select among the list of sounds you need.

Now to your less sides which are great. This analog synth is quite digital. A lot of the controls are based on navigating the application menus. For me personally it had been an annoyance because I wanted to go a bit away from the electronic tools.

I guess it absolutely was an ideal choice anyway to expand the customisability of this synth while not cluttering the design with knobs and levers every-where.

The Mininova is a quality entry level synth. It’s a lot of pre-loaded patches, that are organised into useful categories.

The vocoder is decent, you will soon be restricted to about six useful spots. The synth is primarily monophonic, but you can change all the patches to be polyphonic, that is a fantastic choice from the box.

One other great feature is the ability to pick eight spots as your favorites and assign them to your Favorites buttons. This makes it surely simple to switch between noises in a setting that is live.

The synth has two oscillators that can be modified whenever you want. You additionally have the option of including effects and filters which are using. You can find multiple arpeggiator options in the main menu that can be assigned to each of the patches.

At this price point, your choices would be the Mininova plus the Microkorg. The Microkorg is ideal for creating sounds, the Mininova has more pre-loaded patches.

Overall, the Mininova is an excellent synthesizer and well worth the price.

It’s a 3x oscillator, 100% analogue synth, for under 150 euros. We are able to stop immediately – it’s a must have.

Plus it has a very cool sequencer, which can be very intuitive and easy to make use of. Although restricted to 16 steps (or one bar). Nevertheless, you’ll link it to your DAW via midi cable, have your sequences running after that, while having as bars that are many you would like.

Oscillators sound really nice, as well as the filter, which becomes a beast with lots of resonance. Without operating it through any outside devices, you may get an overdrive, which will be a fantastic small bonus.

It is marketed as a monophonic bass synth, but it’s a lot more. Actually a secret is had because of it. It’s not totally monophonic. You can sequence records that are various every OSC if you’re utilizing it’s sequencer, or set different semitones for each OSC. By these methods you may also get triad chords from the jawhorse, which could be helpful if you’re making dub / techno dub music for example.

Another great thing is you’ll enter the audible range with it so it has an LFO which can get very fast. It allows you to get all sorts of weird noises.

the sole complaint is, that it is build doesn’t feel very solid, it is plastic, wobbly, feels low priced. But hey, for this price, it is OK. It willn’t be a problem invest the excellent care of your equipment. And despite all of that, it looks good.

there is also a little presenter incorporated, and it will run with batteries. But I personally, find these features useless.

Overall, exemplary item. Positively a must have in the event your budget is bound, but you want a analogue synth that is appropriate. And Korg Volca Bass is exactly that.

I got into equipment (and analog) synthesisers recently and after some weeks of research and following suggestions from expert friends, I bought the Volca Bass as my first instrument.

I spent almost a year learning it inside away and I am in love with it. I had the chance to learn a great deal about subtractive synthesis as a result of its flow that is straightforward that to research and experimentation.

It is restricted in comparison to higher priced instruments but it has plenty of depth and may be utilized for a lot of sounds, from wobbly basses for some spacey pads. Its therefore an easy task to do a little acid techno but it also can create soundscapes and drones.

The filter is amazing considering it’s simplicity and with a bit of resonance during the right spot, it could be really gritty and distorted.

The only disadvantages that I can list would be the restricted ribbon keyboard (the Volca Keys has an improved one) while the tiny knobs that limit the fine tuning of some parameters. As well as the not enough movement recording is a pity.

All in most, it’s a very nice little device for novices as well as for who would like to express their creativity through constraints.

Many features stuffed into a tiny synth. I’m sure this works for a lot of, but i found it to too be means limited. Although, I understand, it’s very low priced.

Here are some limitations that I discovered inconvenient. A few of these might be hard to guess before actually using the unit:

– It’s not polyphonic, it is paraphonic. You can find 3 VCO’s but they share the same VCA. In training it seems like the held notes could be triggered once again whenever you play a note that is brand new.
– Although the Keys velocity that is receive played live, the sequencer does not record it. So that the velocity of every note is 100%.
– No capability to bypass recording midi (key) notes from an external midi-keyboard.
This means that it self, the records you played get recorded on every loop, over and over again in the event that you simultaneously play live on a keyboard and record your automations regarding the Volca. You have to record the automation separately.
– Sequencer has just 16 actions. Although the scale may be adjusted: 1/1, 1/2 and 1/4.
– Peak (resonance) can not be automatic or affected through midi.
– No MIDI away. Although you’ll reasonably effortlessly make your own. Similarly to Arturia BeatStep, I would suggest a 1/8 TRS jack (next to the MIDI IN jack).
– just headphones out. In the event that you prepare not to ever make use of headphones, you need (half of) an insert cable or other special configurations.
– The scope associated with noises as you are able to produce with this specific is quite restricted. Even though automation assists a great deal, but nonetheless.

Cant overcome this, it just works completely

i’m perhaps not a keyboard player, i play guitar, so i’m have always been not a large specialist in synths. For me personally 4-voice polyphony is more than enough, together with fact that it offers moderate secrets makes my playing easier ( but i am not accustomed normal secrets, so maybe it is not a problem just for me)
the undeniable fact that all of the functions have it’s own knob, it makes it better to alter parameters fastly.
of course this synth may well not sound since complete as expensive analog synths do, but actually i think into the mix it wouldn’t be so apparent.
an perfect start i think for many who are not used to analog synths (just like me), specially becouse of the small screen that shows the way the waveshape changes

for me personally, the Minilogue blows both the Korg MS-20 mini as well as the Monologue out from the park.

The Minilogue is in fact an improved Monologue with poly function to your extent that I accidentally downloaded the Monologue user manual without noticing. So rather than choose the Monologue, wait till you are able to alternatively buy the Minilogue. Now set alongside the MS-20 Mini, the noise is much more crisp and aggressive. The MS-20 Mini needs held it’s place in my opinion, Korg has finally created the successor associated with the MS-20. A soon become classic and entry that is promising affordable analog poly synths.

Now to my biggest problem because of the Minilogue: a good case. The Korg Minilogue case that is preferred for this is too high priced for its bad quality. If you’d like an incident that is soft the Thomann pedal case rather. I wanted a case that is hard ended up being disappointed that no such case exists for this atm. I therefore invest another 160 Euros on Thon’s Economy Suitcase instance. Please case manufacturers, give us a suitable situation.

Conclusion:

If you would like a completely poly analog synth of good quality and sound in this cost range, you may not find anything better right now.

I currently had the Monotron DELAY that will be great enjoyable and I’ve even tried it skillfully in the studio on several commercial tracks. So I decided to get this one also.

I must admit I had been a bit disappointed. The DELAY ended up being more of an effects unit that would be used standalone with good results. That one… not so much.

First of all, this 1 works more effectively when it is actually PLAYED rather than just making strange noises. But also for MIDI it’s rather limited until you mod it. The ribbon that is tiny; worked great for making effects using the DELAY however a great deal for really playing melodies with this DUO variation.

most of the mojo associated with the DELAY was… well, the delay. Remove the wait also it quickly destroyed it’s charm as a standalone device (although the filter had been excellent!). The DUO just doesn’t wow me up to a device that is standalone. It really has to be used along with other results to have the very best out of it for me. Then it quickly gets less interesting because you might as well start patching up a larger and better synth.

The strength of the DELAY ended up being it was instantly enjoyable and usable, even when used as a standalone device. Simply patch it straight into a console or DI and you’ll get noises that are great. The DUO seriously isn’t extremely exciting unless it is prepared by outside impacts for me. It is effectiveness normally severly restricted to having less midi connections.

Get the DELAY instead.

The Monotron Duo is an awesome small field with a lot of fun noises in it. Just do not expect an excessive amount of from this. Incorporating a oscillator that is second an x-mod to the original monotron design provides more cool sounds and possibilities. The filter is the same and seems very juicy and breaks up really nicely at extreme resonance settings. Plus, you can use the filter to mangle any source that is outside plug involved with it too! This really is an actual analog synth, so it appears really alive and only a little unpredictable.

I believe it’s a bit of a mix between a toy, and effect box and a instrument that is real. The filter, the oscillators and also the noise are great, but a few things prevent me personally from taking it too seriously. Firstly, the ribbon that is small is pretty hard to play if you’d like to play melodies along with it. The second thing could be the noisy output, leaving a moderate level of hiss to every thing coming out of it.

I’d explain it as a gadget that is cool can truly add spice to your music, or be enjoyable to just experiment with and produce a variety of strange and wonderful sounds. Can’t overcome the cost considering it is fully analog!

This small man came to me personally as a huge surprise from TE when they teamed up with Cheap Monday; being known due to their 600¤ synth and then discovering this thing for 70¤. Nice unique sounds and effects, a really, REALLY presenter that is goodbetter than the Volca series), clear display, sturdy for a portable setup, good battery life (runs on regular AAA). It could also inform time.

Being only a barebone PCB with buttons+display on top, it does not even have the on/off button (it has auto-sleep though), but that does not stop it from delivering a serious punch. Editable parameters can be motion sequenced too, patterns could be chained and tempo and shuffle is(up that is also editable 240BPM). Has an included stand (a fold-out steel piece).

I want it’s a few of these things (however it wouldnt cost therefore little):
-channel mute
-display light
-on/off (although I think the newer PO-2x series may have that)
-more pattern spaces
-maybe better saving (if you remove the batteries, sometimes it wipes your patterns)

But I think I’ll buy some more, these specific things have great charm and usability, I also made an EP solely done on a PO-12.

I ended up being anticipating a toy but I am actually amazed by the noises this little thing could make. Through some effects it seems significantly more massive than it offers any straight to if you run it. Especially for the price that is low. I guess the just downside to the specific PO could be the reality than several other POs that it is much harder in order to make the full song with it. It can only make drum noises nearly (there is certainly a synth and bass noise but it is quite limited). But at least the one thing it really is carried out by it does really well. As of this price a pretty wise solution!

it is not vst or va – it feels like an actual analog instrument, which it’s. Some would say it can’t be compared to synths that are such Juno 106 or Prophet 6 but paired with any hardware compressor it’s going to sound as good if you don’t also richer.
Can’t say it’s an all-round tool, nevertheless it works perfectly for massive ambient textures and lushes pads as well as genuine nice arpeggios. As a poor side i would emphasize having less lead and bass noises, those aren’t as aggressive and deep as you would expect for contemporary music genres.
But creating post-rock, ambient, dream-pop music etc this synth works perfectly. It has every thing to replicate 80s analog synths and so much more.
It has perfect ergonomics – most of the controllers are found regarding the front, very neat keys (though i’m not an expert pianist), 4 digital FX simultaneously with multiply signal routing. The fan sound issue mentioned by other commentators does not disturb me at all.
If you are a blade runner man you can’t pass it by.

I got my first Deepmind 6 at the beginning of August 2019, unboxing in I ended up being impressed through the significantly more than acceptable assembling quality.
I connected the midi via USB while the audio in stereo straight to the mixer. Since that time a quantity that is amazing of happened.
Midi notes/clock often fails, LFOs are not stopping and the machine keeps on playing, the only path to avoid it’s turning it off or change preset. Plus the output that is extremely noisy impossible recording good quality audio clips.
I sent it back to Thomann after a couple of weeks, and i started using it replaced with another deepmind 6, since I had been hoping in a defective product.
But nothing, I have the identical issues. Deepmind 6 is potentially an synthesizer that is amazing with amazing VCOs and amazing features. Unfortunately the interior computer software is completely disappointing, and also this is making the entire machine unusable and completely worthless.
I’m sure I’m gonna send it back once more, and change it with another product, unless Behringer itself will completely resolve the situation.
I would have ranked it 5 movie stars, nevertheless the insects are completely destroying the merchandise

I used this keyboard for home training / studio recording / live sets.
It managed well in most these situations plus it delivered great noises and simply customizable parameters.

Pros: Lightweight, clear to see and also to utilize (very user friendly), delivers exceptional noises such a small format. The rhodes sound sweet and warm, the wurlitzer is authentic, plus the signature CP.

On board impacts are superb. The reverb is deep, you’ve got two types of delay (analog / digital), the chorus and phasers are deep immersive, additionally the wah and tremolo are particularly responsive.

This is an instrument that certainly inspires one to create and explore brand new noises. Utilizing the effects which can be integrated you may get to a whole other measurement outside of the classis piano noises. Also, the straightforward to hold around format enables you to produce away from home.
Also, it is possible to connect it up to a laptop and make use of it as a midi instrument

Cons: Probably the only 1 would be the three octaves, but this may be solve with an external midi keyboard.

Overall, very pleased with this tool and its own features from a house practice, live and studio perspective.
I reccomend it to anybody who desires good sounding classic piano/keyboard at 10th associated with price.

I keep it always on hand for some ideas and playthroughs, the Yamaha Reface CP is my no.1 keyboard, next to my Nord Piano, Nord Electro & Moog Little Phatty. Super small, I go on it to band training; excellent noises, sounding the same as the more expensive CP series; versatile, I get all of the standard noises I require – rhodes, wurli, the hidden piano sound (obtain the noise key stuck between settings while driven off and then change it on – it will give you a lush standard piano sound), the clavi+autowah that is cool. Most of the analog that is standard noises are there any. Can’t recommend it sufficient. The thing that is consider – the secrets are smaller so there is some adjustment of strategy required. After that – GROWTH, your piano playing gets more lightweight.

This itty-bitty little keyboard seems like something you?d give a kid to understand a little bit of music.

However..

This small-form keyboard is a full-fledged 4-part Synth+ Rythm-machine!

It is ab-so-lutely amazing just how much functionality Roland crammed in it petite housing. 3 full-on Integra like synths, 1 analog synth that is monophonic sub-occillator with a lot of creamy filters, ànd.. as cherry regarding the cake, about EVERY classic Roland drumcomputer as examples (which can be filtered and mauled to Your heart?s content..in real-time..) simply because ?they could?

Only disadvantage would be the tiiiny keys (with velocity sensitiveness !) but, attach a Midi-keyboard with full-sized keys, and it starts to réally shine.

Important: Download the most recent patches and firmware. It adds much broader functionality to your sequencer and drums.

take note, though. To be honest completely intended for Dance in every it?s iterations with basses and drums that produce Your woofers cry for mercy and tweeters scream in agony. No violins, or endless saxes, guitars or traditional organs, just invaluable ( fully editable) seems for around virtually any dance/hardcore( a fantastic overdrive, fuzz and digitizer on-board) LOVE it!
Combined with a tremendously comprehensible sequencer, You?ll make Your hard-house or your Wub-wub track in no-time quick. But it also excels at weird swooshy, dreamy ambient material.

with this price a no-brainer for anyone dabbling in contemporary dance-styles.

For those who have a homestudio or play the guitar and require a little synth this will be your decision. It is a workstation that is full little and powerfull. On it you may get some actually crazy noises, with fuzz + flanger + stereo delay + reverb if you plug your guitar. The sounds are Roland fundamental collection that is contemporary but a lot of them. It isn’t a keyboard for a person who desires a crystal piano that is obvious clarinet though. It is for jam in an electro mood.

if you are a fan of classic synth pop such as for instance Gary Numan, Depeche Mode, The Human League or Kraftwerk, this synth is great! It has both the sound and aesthetics of classic vintage synthesizers through the 1970’s.
But I have experienced Orbital utilize it in more recent production.

Pros:
– exemplary sound
– exceptional appearance
– exceptional feel
– sturdy
– 100% analog FM synthesis capabilities
– Basically an ARP 2600 in a smaller kind.
– CV inputs & outputs for modular
– Nice vinyl hardcase

Cons:
– You need to tune it yourself (with Guitar tuner or ‘Tuner’ built into Ableton reside)
– Tuning can drift after a few hours. But this really is vintage that is authentic.
– Can’t control many parameters via MIDI CC. (See notes below)

Notes: It can simply receive MIDI notes. No velocity, no none and aftertouch associated with parameters are MIDI assignable. Nonetheless, it does have CV in and outs, which work great with modular gear.

Mine don’t include a UK power adapter out from the field (just EU power adapter), but Thomann provided one for free a short while later.

I considered buying this synth for a few days. Watched some videos and ended up being pretty sure I would perhaps enjoy it even think it’s great Then I chose to do so because I had the cash. And today I have this synth that is wonderful. I love playing it and I can maybe not remember such a thing I don?t like about it. Now it?s want it was always element of my studio.
Luckily I made a decision to additionally get the Moog EP-3 Expression Pedal and it makes playing the Odyssey a lot more fun.
I realize that some people don?t like mini-keys, but for me personally it?s better yet like this since my hands are small.
It?s good it comes with some sound meals, they have been a good kick off point, but it?s additionally good to test out this synth and work out some sound. For me personally it?s one thing for everyone with regards to making sounds and it even comes with an instance 🙂