Review Synthesizers Vermona ’14 Analog Synthesizer. Where to buy it?

I’ll tell you how this post is built. First I list the features of the Vermona ’14 Analog Synthesizer synthesizer. Then you have a video or two, purchase links and useful comments from other users and then you have one of the most useful parts; comparison tables with similar keyboards so you can compare.

  • 44 Keys, semi-weight (Fatar) with aftertouch
  • Waveforms VCO 1 and 2: sine, saw, rectangle
  • Pulse-width-modulation through LFO (up to 100% pulse-width) and glide with legato function
  • Octaves: 16′, 8′, 4′, FIX
  • Mixer: Volumes of both oscillators and sub-oscillators could be controlled separately; sound generator (white sound); volume control for external input
  • Filter: lowpass with resonance; Slope: 12, 18, oder 24 dB/octave; Modulation sources: LFO, EG 1, Sinus-Wellenform of VCO 1 (can additionally be controlled by EG 1)
  • VCA: Modes: in, EG 2, EG 2 + LFO, specific amount controls for main outputs and headphone outputs
  • Envelope Generators EC 1 and EC 2: ADSR
  • LFO waveforms: saw up, saw down, square, triangle, sine, sample & hold
  • Vibrato generator waveforms: Sinus or Dreieck
  • Pitchbender
  • Arpeggiator: ARP, SEQ
  • Line-output 6.3 mm jack
  • Balanced line output XLR
  • Stereo headphone production 3.5 and 6.3 mm jack
  • Line-input 6.3 mm jack
  • CV / Gate outputs (3.5 mm and 6.3 mm jack)
  • Sustain pedal (The most important pedal of a piano or keyboard is the sustain pedal and is used to keep the note playing even if you stop pressing the key.) input
  • Volume pedal input
  • midi (MIDI allows you to do such wonderful things as connect the keyboard to the computer, record a soundtrack and with certain programs pass with a click what you have played to musical notes in a score. MIDI tracks store information from musical notes) In/Out/Thru
  • Dimensions (W x D x H): approx. 770 x 310 x 150 mm
  • Weight: 6.5 kg
  • Incl. damper pedal, printed manual, certification, dirt cover and cleansing cloth

review vermona-14-analog-synthesizer

This keyboard usually has a price around 2390.00 €

Now that we’ve seen the features of this synthesizer Vermona ’14 Analog Synthesizer watch these related videos to learn more.

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Vermona ’14 Analog Synthesizer vs Sequential Prophet 6

The synthesizer Vermona ’14 Analog Synthesizeris usually 0 € cheaper than Sequential Prophet 6, but the difference is so small that this can vary..

Vermona ’14 Analog Synthesizer

Sequential Prophet 6

  • 44 Keys, semi-weight (Fatar) with aftertouch
  • Waveforms VCO 1 and 2: sine, saw, rectangle
  • Pulse-width-modulation through LFO (up to 100% pulse-width) and glide with legato function
  • Octaves: 16′, 8′, 4′, FIX
  • Mixer: Volumes of both oscillators and sub-oscillators could be controlled separately; sound generator (white sound); volume control for external input
  • Filter: lowpass with resonance; Slope: 12, 18, oder 24 dB/octave; Modulation sources: LFO, EG 1, Sinus-Wellenform of VCO 1 (can additionally be controlled by EG 1)
  • VCA: Modes: in, EG 2, EG 2 + LFO, specific amount controls for main outputs and headphone outputs
  • Envelope Generators EC 1 and EC 2: ADSR
  • LFO waveforms: saw up, saw down, square, triangle, sine, sample & hold
  • Vibrato generator waveforms: Sinus or Dreieck
  • Pitchbender
  • Arpeggiator: ARP, SEQ
  • Line-output 6.3 mm jack
  • Balanced line output XLR
  • Stereo headphone production 3.5 and 6.3 mm jack
  • Line-input 6.3 mm jack
  • CV / Gate outputs (3.5 mm and 6.3 mm jack)
  • Sustain pedal input
  • Volume pedal input
  • MIDI In/Out/Thru
  • Dimensions (W x D x H): approx. 770 x 310 x 150 mm
  • Weight: 6.5 kg
  • Incl. damper pedal, printed manual, certification, dirt cover and cleansing cloth
  • 49 Semi-weighted, velocity-sensitive secrets with after-touch
  • 6 Voice polyphony
  • Analogue signal path
  • Two discrete VCOs and Filter per voice
  • Multi mode arpeggiator
  • Step-Sequenzer with up to 64 actions
  • Dual digital effect-section with true bypass (effects: Reverb, delay, chorus and period shifter)
  • Analogue stereo distortion
  • Pitch and modulation wheel
  • LED show
  • Sync to external MIDI clock

Connections

  • Analogue Line-output 2x 6.3 mm jack (L/R)
  • Stereo headphone-output 6.3 mm jack
  • MIDI in/out/thru
  • USB
  • Volume- and sustain pedal input
  • Weight: 9.3 kg
  • Dimensions: 820 x 323 x 117 mm

And then a video of the synthesizerSequential Prophet 6

If you want to know more about this option, click on the following link to see the Sequential Prophet 6 review

Vermona ’14 Analog Synthesizer vs Dave Smith Instruments OB-6

The synthesizer Vermona ’14 Analog Synthesizeris usually 200 € cheaper than Dave Smith Instruments OB-6.

Vermona ’14 Analog Synthesizer

Dave Smith Instruments OB-6

  • 44 Keys, semi-weight (Fatar) with aftertouch
  • Waveforms VCO 1 and 2: sine, saw, rectangle
  • Pulse-width-modulation through LFO (up to 100% pulse-width) and glide with legato function
  • Octaves: 16′, 8′, 4′, FIX
  • Mixer: Volumes of both oscillators and sub-oscillators could be controlled separately; sound generator (white sound); volume control for external input
  • Filter: lowpass with resonance; Slope: 12, 18, oder 24 dB/octave; Modulation sources: LFO, EG 1, Sinus-Wellenform of VCO 1 (can additionally be controlled by EG 1)
  • VCA: Modes: in, EG 2, EG 2 + LFO, specific amount controls for main outputs and headphone outputs
  • Envelope Generators EC 1 and EC 2: ADSR
  • LFO waveforms: saw up, saw down, square, triangle, sine, sample & hold
  • Vibrato generator waveforms: Sinus or Dreieck
  • Pitchbender
  • Arpeggiator: ARP, SEQ
  • Line-output 6.3 mm jack
  • Balanced line output XLR
  • Stereo headphone production 3.5 and 6.3 mm jack
  • Line-input 6.3 mm jack
  • CV / Gate outputs (3.5 mm and 6.3 mm jack)
  • Sustain pedal input
  • Volume pedal input
  • MIDI In/Out/Thru
  • Dimensions (W x D x H): approx. 770 x 310 x 150 mm
  • Weight: 6.5 kg
  • Incl. damper pedal, printed manual, certification, dirt cover and cleansing cloth
  • 49 Semi-weighted keys with velocity and after-touch
  • 500 Factory and 500 individual presets in 10 banking institutions
  • Analogue signal path
  • Two discrete VCOs + sub-oscillators per sound with constantly variable waveforms
  • Vintage SEM inspired adjustable filter (low-pass, high-pass, band-pass and notch) per voice
  • Digital twin effects section with 24 bit / 48 kHz resolution including reverb, wait, chorus and Tom Oberheims stage Shifter and band modulator
  • Multi-mode arpeggiator and polyphonic step sequencer with up to 64 steps (up to 6 markings per action)
  • Cross modulation
  • LED display
  • Pitch and Modulation wheel
  • 2 Line-outputs: 6.3 mm jack
  • Stereo headphone production: 6.3 mm jack
  • MIDI In/Out/Thru
  • USB
  • 2 Pedal inputs
  • 2 Foot-switch inputs
  • Integrated power adapter
  • Dimensions (W x D x H): 807 x 323 x 117 mm
  • body weight: 9.5 kg

And then a video of the synthesizerDave Smith Instruments OB-6

If you want to know more about this option, click on the following link to see the Dave Smith Instruments OB-6 review

Vermona ’14 Analog Synthesizer vs Access Virus Ti2 Darkstar

The synthesizer Vermona ’14 Analog Synthesizeris usually 0 € cheaper than Access Virus Ti2 Darkstar, but the difference is so small that this can vary..

Vermona ’14 Analog Synthesizer

Access Virus Ti2 Darkstar

  • 44 Keys, semi-weight (Fatar) with aftertouch
  • Waveforms VCO 1 and 2: sine, saw, rectangle
  • Pulse-width-modulation through LFO (up to 100% pulse-width) and glide with legato function
  • Octaves: 16′, 8′, 4′, FIX
  • Mixer: Volumes of both oscillators and sub-oscillators could be controlled separately; sound generator (white sound); volume control for external input
  • Filter: lowpass with resonance; Slope: 12, 18, oder 24 dB/octave; Modulation sources: LFO, EG 1, Sinus-Wellenform of VCO 1 (can additionally be controlled by EG 1)
  • VCA: Modes: in, EG 2, EG 2 + LFO, specific amount controls for main outputs and headphone outputs
  • Envelope Generators EC 1 and EC 2: ADSR
  • LFO waveforms: saw up, saw down, square, triangle, sine, sample & hold
  • Vibrato generator waveforms: Sinus or Dreieck
  • Pitchbender
  • Arpeggiator: ARP, SEQ
  • Line-output 6.3 mm jack
  • Balanced line output XLR
  • Stereo headphone production 3.5 and 6.3 mm jack
  • Line-input 6.3 mm jack
  • CV / Gate outputs (3.5 mm and 6.3 mm jack)
  • Sustain pedal input
  • Volume pedal input
  • MIDI In/Out/Thru
  • Dimensions (W x D x H): approx. 770 x 310 x 150 mm
  • Weight: 6.5 kg
  • Incl. damper pedal, printed manual, certification, dirt cover and cleansing cloth
  • Dual DSP system with over 80 stereo voices
  • USB 2.0 port
  • Virus Control VST / AU integrates VIRUS in PC/Mac
  • MIDI I/O
  • 129 Results
  • 6 Analog output jacks 6.3 mm
  • 2 analogue 24 bit inputs
  • SPDIF I/O
  • Programmable arpeggiator
  • 512 RAM patches + 2048 ROM patches
  • Quality Synth Action keyboard with 37 secrets
  • Aftertouch
  • 2 Ports for pedals

And then a video of the synthesizerAccess Virus Ti2 Darkstar

If you want to know more about this option, click on the following link to see the Access Virus Ti2 Darkstar review

Vermona ’14 Analog Synthesizer vs Access Virus Ti2 Keyboard

The synthesizer Vermona ’14 Analog Synthesizer is usually 100 € more expensive than Access Virus Ti2 Keyboard.

Vermona ’14 Analog Synthesizer

Access Virus Ti2 Keyboard

  • 44 Keys, semi-weight (Fatar) with aftertouch
  • Waveforms VCO 1 and 2: sine, saw, rectangle
  • Pulse-width-modulation through LFO (up to 100% pulse-width) and glide with legato function
  • Octaves: 16′, 8′, 4′, FIX
  • Mixer: Volumes of both oscillators and sub-oscillators could be controlled separately; sound generator (white sound); volume control for external input
  • Filter: lowpass with resonance; Slope: 12, 18, oder 24 dB/octave; Modulation sources: LFO, EG 1, Sinus-Wellenform of VCO 1 (can additionally be controlled by EG 1)
  • VCA: Modes: in, EG 2, EG 2 + LFO, specific amount controls for main outputs and headphone outputs
  • Envelope Generators EC 1 and EC 2: ADSR
  • LFO waveforms: saw up, saw down, square, triangle, sine, sample & hold
  • Vibrato generator waveforms: Sinus or Dreieck
  • Pitchbender
  • Arpeggiator: ARP, SEQ
  • Line-output 6.3 mm jack
  • Balanced line output XLR
  • Stereo headphone production 3.5 and 6.3 mm jack
  • Line-input 6.3 mm jack
  • CV / Gate outputs (3.5 mm and 6.3 mm jack)
  • Sustain pedal input
  • Volume pedal input
  • MIDI In/Out/Thru
  • Dimensions (W x D x H): approx. 770 x 310 x 150 mm
  • Weight: 6.5 kg
  • Incl. damper pedal, printed manual, certification, dirt cover and cleansing cloth
  • Dual DSP System with over 80 Stereo-Voices
  • USB 2.0 Interface
  • VirusControl VST/AU for integration associated with VIRUS with all the PC/Mac
  • MIDI I/O
  • 129 Impacts
  • 6 analogue out 6.3 mm jack
  • 2 analogue in 24-Bit
  • SPDIF I/O
  • Programmable Arpeggiator
  • 512 RAM-Patches + 2048 ROM-Patches
  • top quality light fat keyboard with 61 Keys
  • After touch
  • 2 Pedal connectors
  • Dimensions: 995 x 370 x 115 mm
  • body weight: 13.9 kg

And then a video of the synthesizerAccess Virus Ti2 Keyboard

If you want to know more about this option, click on the following link to see the Access Virus Ti2 Keyboard review

Where to buy the synthesizer Vermona ’14 Analog Synthesizer

Amazon

  • Free Shipping and possibility of shipping in one day with Amazon Premium.
  • Full Guarantee but they are no experts in music equipment.
  • Sometimes better price.
  • He’s got worse stock than Thomann.

Thomann

  • Free Shipping.
  • Full warranty. If you have any problems, they take care of everything.
  • 100% reliable payment.
  • Leader in trouble-free shipping.
  • Usually Best price.
  • Best Reputation: They are the leading online store in Europe and have the best catalogue and information.

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Jaime Echagüe

Hi! I'm Jaime Echagüe, a musician and an authentic fan of musical instruments. With this blog I want to give general information about musical instruments in an easy, direct and honest way. I hope you enjoy my website and that you find it very useful.

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