Review Synthesizers Yamaha Montage 6. Where to buy it?
Review Synthesizers Yamaha Montage 6. Where to buy it?
I’ll tell you how this post is built. First I list the features of the Yamaha Montage 6 synthesizer. Then you have a video or two, purchase links and useful comments from other users and then you have one of the most useful parts; comparison tables with similar keyboards so you can compare.
61 Keys (FSX)
movement Control synthesis with FM-X and AWM2 tone generation – each 128 Sounds (Different sounds of piano and other instruments)
1920 Preset Performances
640 Consumer Performances
5.120 Library Performances
Live Set mode to organise sounds by set listings or topics
Master Keyboard Features
7″ Colour wide VGA touch screen
5.67 GB Waveform ROM
1.75 GB Flash ROM
Seamless Sound Switching (seamless switching between shows)
Super Knob for synchronous control of varied parameters
Envelope Follower
AWM2 Tone generation straight compatible with MOTIF XF
Converter software for DX and TX Sounds
USB Audio / midi (MIDI allows you to do such wonderful things as connect the keyboard to the computer, record a soundtrack and with certain programs pass with a click what you have played to musical notes in a score. MIDI tracks store information from musical notes) (for iOS devices) with 24-bit / 44.1 kHz for 16 sound channels or 192 kHz for 4 stereo sound channels
4x Line outputs: (2x stereo) 6.3 mm jack balanced
2x Line inputs: 6.3 mm jack
Dimensions (W x H x D): 1037 x 131 x 396 mm
body weight: 15 kg
Includes power cable
This keyboard usually has a price around 2690.00 €
Now that we’ve seen the features of this synthesizer Yamaha Montage 6 watch these related videos to learn more.
Some comments from people who come to the forum about this model:
Comment:
sweet looking synth with great factory voices. Guitars are really good. The super knob is a good feature which changes the color for the sounds. It has a really fundamental recording facility, but with no editing possibilities. It does have Cubase daw should you will need to modify. overall the voices are rather good. I would suggest this product if you’re trying to find a decent synth. A great amount of memory for including your stuff. The negative points [for me at the very least] difficult in the beginning to navigate around and with numerous things to discover. Expensive, but a cost that is good Thomann. might have been better yet had it been a workstation. Sound wise it doesn?t dissapoint.
Comment:
I’ve been experimenting with this synth for few months and all sorts of I need to state is it really is awesome. I make use of it for music manufacturing and so the most critical thing for me personally is quality that is noise. Sound is fat, neat and most of all it cuts through the mix. Build quality is very good too. The only real problem that is minor’ve found ist that touch display are a little laggy every so often. It really is great that regular firmware updates don’t bring us just insects fixes but in addition brand new features, new noises and possibilities being new. I have not used a Yamaha synth before so I must say it took me a relatively good right time for you to get accustomed to it as a result of all the functions and opportunities, which needless to say I can not state it’s a downfall. Anyway it’s an excellent synth and I don’t be sorry for buying it even for a moment.
Yamaha Montage 6 vs Sequential Prophet 6
The synthesizer Yamaha Montage 6 is usually 300 € more expensive than Sequential Prophet 6.
Yamaha Montage 6
Sequential Prophet 6
61 Keys (FSX)
movement Control synthesis with FM-X and AWM2 tone generation – each 128 sounds
1920 Preset Performances
640 Consumer Performances
5.120 Library Performances
Live Set mode to organise sounds by set listings or topics
Master Keyboard Features
7″ Colour wide VGA touch screen
5.67 GB Waveform ROM
1.75 GB Flash ROM
Seamless Sound Switching (seamless switching between shows)
Super Knob for synchronous control of varied parameters
Envelope Follower
AWM2 Tone generation straight compatible with MOTIF XF
Converter software for DX and TX Sounds
USB Audio / MIDI (for iOS devices) with 24-bit / 44.1 kHz for 16 sound channels or 192 kHz for 4 stereo sound channels
4x Line outputs: (2x stereo) 6.3 mm jack balanced
2x Line inputs: 6.3 mm jack
Dimensions (W x H x D): 1037 x 131 x 396 mm
body weight: 15 kg
Includes power cable
49 Semi-weighted, velocity-sensitive secrets with after-touch
6 Voice polyphony
Analogue signal path
Two discrete VCOs and Filter per voice
Multi mode arpeggiator
Step-Sequenzer with up to 64 actions
Dual digital effect-section with true bypass (effects: Reverb, delay, chorus and period shifter)
Analogue stereo distortion
Pitch and modulation wheel
LED show
Sync to external MIDI clock
Connections
Analogue Line-output 2x 6.3 mm jack (L/R)
Stereo headphone-output 6.3 mm jack
MIDI in/out/thru
USB
Volume- and sustain pedal input
Weight: 9.3 kg
Dimensions: 820 x 323 x 117 mm
And then a video of the synthesizerSequential Prophet 6
If you want to know more about this option, click on the following link to see the Sequential Prophet 6 review
Yamaha Montage 6 vs Dave Smith Instruments OB-6
The synthesizer Yamaha Montage 6 is usually 100 € more expensive than Dave Smith Instruments OB-6.
Yamaha Montage 6
Dave Smith Instruments OB-6
61 Keys (FSX)
movement Control synthesis with FM-X and AWM2 tone generation – each 128 sounds
1920 Preset Performances
640 Consumer Performances
5.120 Library Performances
Live Set mode to organise sounds by set listings or topics
Master Keyboard Features
7″ Colour wide VGA touch screen
5.67 GB Waveform ROM
1.75 GB Flash ROM
Seamless Sound Switching (seamless switching between shows)
Super Knob for synchronous control of varied parameters
Envelope Follower
AWM2 Tone generation straight compatible with MOTIF XF
Converter software for DX and TX Sounds
USB Audio / MIDI (for iOS devices) with 24-bit / 44.1 kHz for 16 sound channels or 192 kHz for 4 stereo sound channels
4x Line outputs: (2x stereo) 6.3 mm jack balanced
2x Line inputs: 6.3 mm jack
Dimensions (W x H x D): 1037 x 131 x 396 mm
body weight: 15 kg
Includes power cable
49 Semi-weighted keys with velocity and after-touch
500 Factory and 500 individual presets in 10 banking institutions
Analogue signal path
Two discrete VCOs + sub-oscillators per sound with constantly variable waveforms
Vintage SEM inspired adjustable filter (low-pass, high-pass, band-pass and notch) per voice
Digital twin effects section with 24 bit / 48 kHz resolution including reverb, wait, chorus and Tom Oberheims stage Shifter and band modulator
Multi-mode arpeggiator and polyphonic step sequencer with up to 64 steps (up to 6 markings per action)
Cross modulation
LED display
Pitch and Modulation wheel
2 Line-outputs: 6.3 mm jack
Stereo headphone production: 6.3 mm jack
MIDI In/Out/Thru
USB
2 Pedal inputs
2 Foot-switch inputs
Integrated power adapter
Dimensions (W x D x H): 807 x 323 x 117 mm
body weight: 9.5 kg
And then a video of the synthesizerDave Smith Instruments OB-6
Yamaha Montage 6 vs Vermona ’14 Analog Synthesizer
The synthesizer Yamaha Montage 6 is usually 300 € more expensive than Vermona ’14 Analog Synthesizer.
Yamaha Montage 6
Vermona ’14 Analog Synthesizer
61 Keys (FSX)
movement Control synthesis with FM-X and AWM2 tone generation – each 128 sounds
1920 Preset Performances
640 Consumer Performances
5.120 Library Performances
Live Set mode to organise sounds by set listings or topics
Master Keyboard Features
7″ Colour wide VGA touch screen
5.67 GB Waveform ROM
1.75 GB Flash ROM
Seamless Sound Switching (seamless switching between shows)
Super Knob for synchronous control of varied parameters
Envelope Follower
AWM2 Tone generation straight compatible with MOTIF XF
Converter software for DX and TX Sounds
USB Audio / MIDI (for iOS devices) with 24-bit / 44.1 kHz for 16 sound channels or 192 kHz for 4 stereo sound channels
4x Line outputs: (2x stereo) 6.3 mm jack balanced
2x Line inputs: 6.3 mm jack
Dimensions (W x H x D): 1037 x 131 x 396 mm
body weight: 15 kg
Includes power cable
44 Keys, semi-weight (Fatar) with aftertouch
Waveforms VCO 1 and 2: sine, saw, rectangle
Pulse-width-modulation through LFO (up to 100% pulse-width) and glide with legato function
Octaves: 16′, 8′, 4′, FIX
Mixer: Volumes of both oscillators and sub-oscillators could be controlled separately; sound generator (white sound); volume control for external input
Filter: lowpass with resonance; Slope: 12, 18, oder 24 dB/octave; Modulation sources: LFO, EG 1, Sinus-Wellenform of VCO 1 (can additionally be controlled by EG 1)
VCA: Modes: in, EG 2, EG 2 + LFO, specific amount controls for main outputs and headphone outputs
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