Review of the Harley Benton SC-450Plus HB Vintage Series Electric guitar. Where to buy it?
I’ll tell you how this post is built. First I list the features of the Harley Benton SC-450Plus HB Vintage Series guitar. Then you have a video or two, purchase links and useful comments from other users and then you have one of the most useful parts; comparison tables with similar items so you can compare.
- Vintage Series
- Body: Mahogany
- Arched top: AAA flamed maple
- Set-in neck: Mahogany
- Fretboard: Pau Ferro
- Fretboard inlays: Trapezoid
- Neck profile: C
- Radius: 350 mm
- Cream-coloured bindings on the body and neck
- 22 Medium jumbo frets
- Scale: 628 mm
- Nut width: 43 mm
- Double action truss rod
- Pickup: 2 Roswell LAF Alnico-5 vintage-style humbuckers
- 3-Way pickup selector switch
- 2 Volume controls with push/pull function for coil split
- 2 Tone controls
- Chrome-plated DLX hardware
- DLX Tune-o-matic bridge
- DLX Kluson-style machine heads
- Ex-factory stringing: D’Addario EXL .010 – .046
- Colour: Honey burst gloss
This guitar usually has a price around 168.00 €
Now that we’ve seen the features of this guitar Harley Benton SC-450Plus HB Vintage Series watch these related videos to learn more.
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Some comments from people who come to the forum about this model:
Comment:
Delivery
After some issues with PayPal the order was successfully placed and arrived in about a week. Packed in two boxes with no obvious or hidden damage. Nice to see individual protection for the pickup selector switch. One of the little bags of silica gel had torn in the packing process, but caused no issues.
Fit and Finish
The finish is perfect. I held off reviewing this for three weeks expecting that I would find some scratch or flaw somewhere, but I really cannot find anything. Really, the (presumably polyurethane) finish has been exceptionally well applied. The same applies to the paint job over the flame maple veneer (or photo-transfer). The colour is definitely closer to cherryburst than honeyburst, which is great and exactly what I wanted. The frets are well-fitted and neatly finished at their ends, though a little more polish (or playing in) will make bends even easier. The setup is excellent, perfectly intonated and the action perhaps even a shade too low for me. I will fiddle with the bridge height/truss rod when I fit my preferred Super Slinkys (008s).
Pickups, Hardware and Sounds
I fully expected to be changing out the pickups for a set of Irongears almost as soon as this arrived, but the Wilkinson Roswell humbuckers fitted as standard are perfectly good. They are slightly higher output than I would normally choose, but they have great articulation and still sound fine when the push-pull pots are used to select single coil mode. The pickups are wired such that the middle position is out of phase.
The machines are fine and work well, though the green plastic buttons do not look particularly genuine, I do not feel any pressing urge to change them. The bridge and tailpiece are both perfectly fine and do a competent job. The nut is plastic and well-cut and fitted. I might change it for a bone or Tusq model eventually.
Cons
Very minor issues. I will be replacing the tone pots as they have ALL their effect at the very end of their travel. This issue also occurs on much more expensive guitars, to be fair.
Some people might not like the Rosacea fingerboard. It is very light and looks nothing like what you would find on a Gibson. I might try a few coats of light finishing oil if I can be bothered. However the neck is really lovely to play and the trapezoid markers are well cut and fitted.
Now I need an SG….
Comment:
Here are my actual ratings, on a scale of 5. I’ll average the 2 guitars, to provide a random sample of what you’re likely to receive. Overall, my experience seems consistent with other reviewers’:
5 for value and tone, especially at this price.
4.5 to 5 for design, basic build quality, and playability.
5++ for Thomann’s responsiveness and service.
1.5 to 4.5 (yes, very wide range) for cosmetics and finish.
1.5 for quality control (QC).
The SC450+ is an affordable (obviously) LP copy that follows the classic vintage recipe, while adding some clever innovations.
The low price, iffy QC, and value are all real, and all share the same source: Thomann contracts directly with a factory in China, eliminating a wholesaler. So, for about half the price of (e.g.) an Epiphone LP, you get a vintage build recipe, better materials and components, and better ergonomics. You also get a combination of deep ’50s neck, flush modern heel, and nice color schemes ? a combination that Gibson won’t sell you at any price.
PRO’S:
The flush neck heel is brilliantly designed to solve the traditional LP problem of upper-fret access. Up to the 20th fret, access here is actually easier than on a Strat (because the heel is so sculpted). Up to the 22nd fret, it’s still pretty easy. Better access than on a PRS Singlecut (SC/SE 245, etc.). Which is why I chose this.
The Roswell alnico 5 bridge pickup is wonderful. I swapped it for a Gibson Super ’57 on my first SC450+, then found I missed it. (This is why I’ve kept my 2nd copy stock.) This pickup is bright without shrillness, and has body with no nasal honk. Surprisingly great tones, ranging from Allman Brothers to twang.
Split-coil sounds are very usable.
Full maple cap under the flame-maple veneer. (You can see the maple in the treble-side cutaway.)
Long-tenon neck joint, reputedly. (I haven’t checked this, but the expected rich tone is definitely there.)
Weight is reasonable, around 9 lbs.
CON’S:
Cosmetic flaws are common (read on, and see other reviews).
Mahogany back on your copy might be anywhere from 2?4 pieces. (I’ve heard of, but not seen, 5. Mine are, respectively, 2 and 3 pieces.)
3-piece neck, counting a scarf joint and butt joint. (But this construction doesn’t seem to degrade the tone.)
Neck binding runs fatter than Gibson spec, and looks plasticky.
NEUTRAL:
The Roswell neck pickup is punchy and entirely giggable, but a bit blunt. It’s not muddy ? more like middy. Doesn’t have the articulation of a good Gibson, PRS, or even Epi neck pickup. Fast attack from the alnico 5, which you might like for some styles.
Blackwood has replaced rosewood fretboards, to meet CITES export restrictions. Tonally, it’s supposed to be very similar. But blackwood can have pronounced grain/color variations, which you might find either interesting or distracting. It also has an unusual feel, which takes a while to get used to: Strings slide around on it. If you’ve ever tried Ernie Ball’s slippery Cobalt strings, regular strings feel like that on blackwood.
The fat neck binding on my Honeyburst copy developed some tiny cracks. I actually like the resulting, slightly distressed look. (Because I don’t like plastic binding at all. I’d love a Harley Benton that omitted neck binding, as some LP Studio Deluxes and PRS Singlecuts/SC’s do.)
By ordering one of these, you’re taking a chance: You’ll get a boxed copy that hasn’t been inspected in Germany. Shipping to you is very inexpensive, because Thomann subsidizes it. Overseas return shipping is expensive. My experience has been that if you get a copy with problems, Thomann will offer you reasonable options for resolving it.
Here’s what I actually got:
My Honeyburst copy sounds righteously full, and has great playability. (Low action with no buzzes.) The top has a pretty, faded-cherryburst finish, on a lightly flamed maple veneer. The back is 3-piece, cut so that the neck fits entirely into the middle piece. Both the back and neck are natural-finished mahogany, with faint grain. Setup was reasonably low and quite buzz-free, straight out of the box.
Problems? There’s a sizable spraying blotch under the top’s pretty finish, south of the bridge. There’s another spraying blotch in the cutaway (which no one but me will see.) The blackwood fretboard has some pronounced color variations, fading to nearly bleached in some places. (The fretboard doesn’t look at all bad, just unusual.) The neck binding is fat and also a bit uneven in width, tapering wider toward the upper frets. As mentioned above, it cracked slightly since arriving.
Thomann asked me to email them photos of the build flaws, then offered me the option of keeping the guitar for a partial refund. After staring at the guitar for a few days (and of course listening to it), I decided I could live with the cosmetic flaws, and took this option. I’ve since upgraded its pickups to a Gibson 57 Classic and Super ’57. The guitar sounds nice, plays well, and has held stable action and tuning.
(Side notes: Thomann was outstandingly responsive, courteous, and helpful in resolving the cosmetic glitches, and also with an apparent wiring glitch that turned out to be a false alarm. I actually can’t say enough good things about their customer service, and their English is better than most North Americans’. Also, the gummy coil-tap stickers that bothered some earlier SC450+ reviewers are gone. These are now PET stickers, which peel off easily and cleanly.)
My second SC450+ has a Vintage Burst top finish (2-color tobacco burst), over a lightly flamed veneer. Very elegant and classic look. One tiny blemish on the top, not sure if that’s from the factory or the prior owner.
This copy also has a natural-finished mahogany back, but with nicely deep grain swirls. The back is 2 symmetrical pieces. (Unlike Epiphone/Gibson, Thomann doesn’t veneer over back joins, so you can clearly see how many pieces are involved.)
As an older model, it’s got a rosewood fretboard, with light grain and no cosmetic flaws. Same thick neck binding.
This copy required some setup to shake out some fret buzz. But I bought it used, so I can’t blame Thomann for how its original owner adjusted or stored it. It set up fine, now plays well, and sounds robust and punchy with its stock pickups.
To sum up: You take pot luck when you order one of these, given the spotty QC. You might get anything from a near-perfect gem to a solid guitar with obvious cosmetic flaws. I can’t say that you can’t go wrong. But Thomann seems determined to ensure that you’ll end up happy ? variously with a great guitar, a great deal, or a return. I’m doubly happy with two of them.
Harley Benton SC-450Plus HB Vintage Series vs Harley Benton SC-550 II BCF
Contenidos de la página
- 1 Harley Benton SC-450Plus HB Vintage Series vs Harley Benton SC-550 II BCF
- 2 Harley Benton SC-450Plus HB Vintage Series vs Harley Benton ST-20HSS SBK Standard Series
- 3 Harley Benton SC-450Plus HB Vintage Series vs Harley Benton CST-24T Black Flame
- 4 Harley Benton SC-450Plus HB Vintage Series vs Harley Benton ST-70 Black Paisley
- 5 Where to buy the guitar Harley Benton SC-450Plus HB Vintage Series
The guitar Harley Benton SC-450Plus HB Vintage Seriesis usually 87 € cheaper than Harley Benton SC-550 II BCF.
Below have a look to the video of this guitar
Harley Benton SC-450Plus HB Vintage Series |
Harley Benton SC-550 II BCF |
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Harley Benton SC-550 II Black Cherry Flame; deluxe series; electric guitar; mahogany body (swietenia meliaceae) (weight relief chambered); arched & flamed AAA-maple top; set mahogany neck (swietenia macrophylla king); pau ferro fingerboard; 60`s neck profile; 305mm (12,00″) fingerboard radius; 1th fret thickness 20mm; 12th fret thickness 22mm; pearloid trapezoid inlays; 22 stainless steel frets; 628mm (24,72″) scale; 42mm (1,65″) nut width; graphite nut; 2x Tesla Opus-1 Alnico-5 humbucker pickups; controls: 2x volume & 2x tone; 3-way switch; DLX chrome hardware; DLX tune-o-matic bridge; DLX Kluson style tuners; strings: D´Addario EXL-110 10-46; finish: gloss black cherry flame |
Below have a look to the video of this guitar Harley Benton SC-550 II BCF
If you want to know more about this option, click on the following link to see the Harley Benton SC-550 II BCF review
Harley Benton SC-450Plus HB Vintage Series vs Harley Benton ST-20HSS SBK Standard Series
The guitar Harley Benton SC-450Plus HB Vintage Series is usually 83 € more expensive than Harley Benton ST-20HSS SBK Standard Series.
Below have a look to the video of this guitar
Harley Benton SC-450Plus HB Vintage Series |
Harley Benton ST-20HSS SBK Standard Series |
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Below have a look to the video of this guitar Harley Benton ST-20HSS SBK Standard Series
If you want to know more about this option, click on the following link to see the Harley Benton ST-20HSS SBK Standard Series review
Harley Benton SC-450Plus HB Vintage Series vs Harley Benton CST-24T Black Flame
The guitar Harley Benton SC-450Plus HB Vintage Seriesis usually 43 € cheaper than Harley Benton CST-24T Black Flame, but the difference is so small that this can vary..
Below have a look to the video of this guitar
Harley Benton SC-450Plus HB Vintage Series |
Harley Benton CST-24T Black Flame |
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Below have a look to the video of this guitar Harley Benton CST-24T Black Flame
If you want to know more about this option, click on the following link to see the Harley Benton CST-24T Black Flame review
Harley Benton SC-450Plus HB Vintage Series vs Harley Benton ST-70 Black Paisley
The guitar Harley Benton SC-450Plus HB Vintage Series is usually 13 € more expensive than Harley Benton ST-70 Black Paisley, but the difference is so small that this can vary..
Below have a look to the video of this guitar
Harley Benton SC-450Plus HB Vintage Series |
Harley Benton ST-70 Black Paisley |
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Below have a look to the video of this guitar Harley Benton ST-70 Black Paisley
If you want to know more about this option, click on the following link to see the Harley Benton ST-70 Black Paisley review
Where to buy the guitar Harley Benton SC-450Plus HB Vintage Series
Thomann
- Free Shipping.
- Full warranty. If you have any problems, they take care of everything.
- 100% reliable payment.
- Leader in trouble-free shipping.
- Usually Best price.
- Best Reputation: They are the leading online store in Europe and have the best catalogue and information.
Amazon
- Free Shipping and possibility of shipping in one day with Amazon Premium.
- Full Guarantee but they are no experts in music equipment.
- Sometimes better price.
- He’s got worse stock than Thomann.
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